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'Second recording
of guitar music by Keith Hinchliffe, who as all good English musicians
must, spent time playing with the Albion Band. On 'Islands' he
plays 21 different selections, most of which are relatively unknown,
taken from the Irish, Scottish and Welsh traditions.
'Hinchliffe
lovingly recreates the sense of the old tunes with his fluid guitar
style and allows the melodic themes to be the main focus. He's
also recorded the guitar with a very "true" sound, and not buried
it in a lot of echo and reverb. An enjoyable collection.'
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'Sheffield-
based Keith will need little introduction to many of us from his
performances at folk clubs and sessions, where his intricate,
flawless guitar style has caused many a jaw to drop.The CD opens
up with Humours of Castle
Comer, a stately Irish tune that gives us our introduction
to Keith's lovely, rich guitar sound, which is consistent throughout
all 21 tracks. Mabel Kelly
,a tune from the pen of the 18th century blind harpist Turlough
O'Carolan follows, demonstrating nicely Keith's sense of timing
and pace.
'The CD also
contains another Carolan tune, Morgan
Magan, which could make you wonder how many fingers Keith
has, what with his blend of intricate melody and contrapuntal
bass. Indeed, the sound he gets from his guitar does have a harp-like
quality to it, particularly on some tracks like The
Sheep under the Snow, a haunting Manx tune, my favourite along
with Lord Mayo,which is a curious little melody.The Isle
of Man is also represented by When Christ was Born, and
Wales by A Honeyed Lip,
a quite beautiful, melancholy air.
'There are
two tunes from Niel Gow, an 18th century Scots writer, and one
from his contemporary William Marshall. The first two are the
lengthily titled Niel Gow's lament for the Death of his Second
Wife and Farewell to Whisky and the third is Chapel
Keithack.
'On a slightly
more upbeat note are Off to California and the wonderfully jaunty
Rosewood Jig, which has an introduction to tie knots in
your fingers.Other tunes include The
Monaghan Jig, The Marquis of Huntly's Strathspey, The
Lark in the Clear Air and Madame Bonaparte.
'The recording
is good and clear, allowing the sound of Keith's guitar to come
through with all its richness of tone.On the whole a very accomplished
CD with marvellous musicianship and an interesting selection of
tunes.'
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